When I think about the process of learning in Somatics, what comes to mind is a dance—an intricate interplay of intention, attention, action, and extension. Each of these elements flows into the next, guiding and shaping the experience in a way that feels both natural and deeply creative.

For me, it all begins with intention. In any session, whether I’m working with an individual or a group, there’s always a seed of intention that sets the stage for what comes next. This intention might be as simple as finding greater ease in movement or as profound as exploring new possibilities for enjoying greater aliveness. Whatever the case, intention serves as the starting point, the focus that gives direction to everything that follows.

Once an intention is chosen, attention comes into play. Attention is like a spotlight, illuminating the areas that need focus in order to realise the intention. It’s about tuning in, noticing the sensations, movements, and subtle shifts that occur within the body. During sessions, I often use instructions or gentle cues to help guide attention. For example, I might ask, “Can you sense the flow of your breath as it moves through your body?” or “Notice how your spine feels as you begin to shift your weight to the right.” These kinds of statements invite a person to direct their attention inward, to become more aware of the processes unfolding within them.

Action follows attention, almost like a natural response. When we bring our focus to something, action often arises spontaneously. It might be a movement, a breath, or a subtle adjustment in posture. The important thing here is that the action is guided by the attention—it’s not forced or imposed, but rather it emerges from the awareness that has been cultivated through intention and attention. In sessions, I might guide this by suggesting, “Allow your body to move in whatever way feels naturally for you right now,” or “Observe how your breath can begin to guide your movement choices.” These instructions are designed to support the flow of action, allowing it to arise organically from the focus of attention.

Finally, we come to extension, which I see as the outward ripple of the learning process. Extension is about taking what’s been explored internally and letting it expand, both within the soma (body) and beyond. It’s where the learning begins to integrate and be applied into various areas of the person’s life. To facilitate this, I often ask contemplative questions at the end of a session, such as “How might this new awareness influence your movements throughout the rest of your day?” or “What shifts do you notice in how you are relating to your body now?” These questions help extend the learning from the session into everyday experiences, encouraging the person to carry the insights forward.

Throughout this dance, I use a variety of instructions, statements, and questions to guide the flow of intention, attention, action, and extension. The aim is to create a space where learning can happen fluidly, where each step naturally leads to the next, and where the person feels supported in their exploration.

For me, this process is incredibly dynamic. It’s not about following a strict sequence or sticking to a predetermined plan. Instead, it’s about being present with the person, responding to what shows up, and allowing the learning to unfold in its own time. The creative flow of learning and development in Somatics is, at its heart, a dance—a beautiful, unfolding rhythm that moves us towards greater understanding and connection inwards and from there outwards..